This is the Remix: Structural Improvisation using Automated Pattern Discovery
نویسندگان
چکیده
The remix is pervasive in modern culture. Popularized in contemporary art by early hip-hop, it traces its roots back to both Dadaism and, later, the cut-ups of William S. Burroughs [1]. The basic approach is well understood: Take pre-existing material, then subtract, add, and adjust until something novel and engaging emerges. The remixer becomes a mash-up unto themselves: part sculptor, part curator, part engineer.
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